"--who lives on a mountain in Greece, et cetera, but rather whatever entity, pattern, trend, or what-have-you that, when perceived by ancient Greek people, and filtered through their perceptual machinery and their pagan worldview, produced the internal mental representation that they dubbed Athena. The distinction being quite important because Athena the-supernatural-chick-with-the-helmet is of course nonexistent, but 'Athena' the external-generator-of-the-internal-representation-dubbed-Athena-by-the-ancient-Greeks
"Okay, but why Athena and not Demeter or someone?"
"Well, it's a truism that you can't understand a person without knowing something about her family background, and so we have to do kind of a quick Cliff's Notes number on the ancient Greek Theogony here. We start out with Chaos, which is where all theogonies start, and which I like to think of as a sea of white noise--totally random broadband static. And for reasons that we don't really understand, certain polarities begin to coalesce from this--Day, Night, Darkness, Light, Earth, Sea. Personally, I like to think of these as crystals--not in the hippy-dippy Californian sense, but in the hardass technical sense of resonators, that received certain channels buried in the static of Chaos. At some point, out of certain incestuous couplings among such entities, you get Titans. And it's arguably kind of interesting to note that the Titans provide really the full complement of basic gods--you've got the sun god, Hyperion, and an ocean god, Oceanus, and so on. But they all get overthrown in a power struggle called the Titanomachia and replaced with new gods like Apollo and Poseidon, who end up filling the same slots in the organizational chart, as it were. Which is kind of interesting in that it seems to tie in with what I was saying about the same entities or patterns persisting through time, but casting slightly different shaped shadows for different people. Anyway, so now we have the Gods of Olympus as we normally think of them: Zeus, Hera, and so on.
"A couple of basic observations about these: first, they all, with one exception I'll get to soon, were produced by some kind of sexual coupling, either Titan-Titaness or God-Goddess or God-Nymph or God-Woman or basically Zeus and whom– or whatever Zeus was fucking on any particular day. Which brings me to the second basic observation, which is that the Gods of Olympus are the most squalid and dysfunctional family imaginable. And yet there is something about the motley asymmetry of this pantheon that makes it more credible. Like the Periodic Table of the Elements or the family tree of the elementary particles, or just about any anatomical structure that you might pull up out of a cadaver, it has enough of a pattern to give our minds something to work on and yet an irregularity that indicates some kind of organic provenance--you have a sun god and a moon goddess, for example, which is all clean and symmetrical, and yet over here is Hera, who has no role whatsoever except to be a literal bitch goddess, and then there is Dionysus who isn't even fully a god--he's half human--but gets to be in the Pantheon anyway and sit on Olympus with the Gods, as if you went to the Supreme Court and found Bozo the Clown planted among the justices.
"Now what I'm getting to here is that Athena was exceptional in every way. To begin with she wasn't created through sexual reproduction in any kind of normal sense; she sprang fully-formed from the head of Zeus. According to some versions of the story, this happened after Zeus fucked Metis, about whom we'll hear more in due course. Then he was warned that Metis would later give birth to a son who would dethrone him, and so he ate her, and later Athena came out of his head. Whether you buy into the Metis story or not, I think we can still agree that something a little peculiar was going on with the nativity of Athena. She was also exceptional in that she did not participate in the moral squalor of Olympus; she was a virgin."
"Aha! I knew that was a picture of a virgin on your medallion."