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One of the things that Goto Dengo spoke of during their dinner in Tokyo was the Nipponese practice of tuning streams in gardens by moving rocks from place to place. The sound of a brook is made by patterns in the flow of water, and those patterns encode the presence of rocks on the streambed. Randy found in this an echo of the Palouse winds thing, and said so, and Goto Dengo either thought it was terribly insightful or else was being polite. In any case, several minutes later there is a change in the sound of the water that is flowing around them, and so Randy naturally looks upstream to see that a man is standing in the water about a dozen feet away from them. The man has a shaved head that is sunburned as red as a three-ball. He's wearing what used to be a decent enough business suit, which has practically become one with the jungle now: it is impregnated with red mud, which has made it so heavy that it pulls itself all out of shape as he totters to a standing position. He's got a great big pole, a wizard's staff. He has planted it in the riverbed and is sort of climbing up it hand-over-hand. When he gets fully upright, Randy can see that his right leg terminates just below the knee, although the bare tibia and fibula stick out for a few inches. The bones are scorched and splintered. Andrew Loeb has fashioned a tourniquet from sticks and a hundred-dollar silk necktie that Randy's pretty sure he has seen in the windows of airport duty-free shops. This has throttled back the flow of blood from the end of his leg to a rate comparable to what you would see coming out a Mr. Coffee during its brew cycle. Once Andy has gotten himself fully upright, he smiles brightly and begins to move towards Randy and Amy and Enoch, hopping on his intact leg and using the wizard's staff to keep from falling down. In his free hand he is carrying a great big knife: Bowie-sized, but with all of the extra spikes, saw blades, blood grooves, and other features that go into a really top-of-the-line fighting and survival knife.

Neither Enoch nor Amy sees Andrew. Randy has this insight now that Doug pointed him in the direction of earlier, namely that the ability to kill someone is basically a mental stance, and not a question of physical means; a serial killer armed with a couple of feet of clothesline is far more dangerous than a cheerleader with a bazooka. Randy feels certain, all of a sudden, that he's got the mental stance now. But he doesn't have the means.

And that is the problem right there in a nutshell. The bad guys tend to have the means.

Andy's looking him right in the eye and smiling at him, precisely the same smile you would see on the face of some old acquaintance you had just accidentally run into on an airport concourse. As he approaches, he's kind of shifting the big knife around in his hand, getting it into the right grip for whatever kind of attack he's about to make. It is this detail that finally breaks Randy out of his trance and causes him to shrug Amy off and drop her into the water behind him. Andrew Loeb takes another step forward and plants his wizard's staff, which suddenly flies into the air like a rocket, leaving a steaming crater behind in the water, which instantly fills in, of course. Now Andy's standing there like a stork, having miraculously kept his balance. He bends his one remaining knee and hops towards Randy, then does it again. Then he is dead and toppling backwards and Randy is deaf, or maybe it happens in some other order. Enoch Root has become a column of smoke with a barking, spitting white fire in the center. Andrew Loeb has become a red, comet-shaped disturbance in the stream, marked by a single arm thrust out of the water, a French cuff that is still uncannily white, a cuff link shaped like a little honey bee, and a spindly fist gripping the huge knife.

Randy turns around and looks at Amy. She's levered herself up on one arm. In her opposite hand she's got a sensible, handy sort of revolver which she is aiming in the direction of where Andrew Loeb fell.

Something's moving in the corner of Randy's eye. He turns his head quickly. A coherent, wraith-shaped cloud of smoke is drifting away from Enoch over the surface of the river, just coming into the sun where it is suddenly brilliant. Enoch is just standing there holding a great big old .45 and moving his lips in the unsettled cadences of some dead language.

Andrew's fingers loosen, the knife falls, and the arm relaxes, but does not disappear. An insect lands on his thumb and starts to eat it.

<p><strong>Chapter 100 BLACK CHAMBER</strong></p>

"Well," Waterhouse says, "I know a thing or two about keeping secrets."

"I know that perfectly well," says Colonel Earl Comstock. "It is a fine quality. It is why we want you. After the war."

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