Here were statements from those who had seen Lula Landry during the final evening of her life; a report on the DNA evidence lifted from her flat; photocopied pages of the visitors’ book complied by security at number 18, Kentigern Gardens; details of the medication Lula had been prescribed to control bipolar disorder; the autopsy report; medical records for the previous year; mobile phone and landline records; and a precis of the findings on the model’s laptop. There was also a DVD, on which Wardle had scribbled CCTV 2 Runners.
The DVD drive on Strike’s secondhand computer had not worked since he acquired it; he therefore slipped the disc into the pocket of the overcoat hanging by the glass door, and resumed his contemplation of the printed material contained within the ring-binder, his notebook open beside him.
Night descended outside the office, and a pool of golden light fell from the desk lamp on to each page as Strike methodically read the documents that had added up to a conclusion of suicide. Here, amid the statements shorn of superfluity, minutely detailed timings, the copied labels from the bottles of drugs found in Landry’s bathroom cabinet, Strike tracked the truth he had sensed behind Tansy Bestigui’s lies.
The autopsy indicated that Lula had been killed on impact with the road, and that she had died from a broken neck and internal bleeding. There was a certain amount of bruising to the upper arms. She had fallen wearing only one shoe. The photographs of the corpse confirmed LulaMyInspirationForeva’s assertion that Landry had changed her clothes on coming home from the nightclub. Instead of the dress in which she had been photographed entering her building, the corpse wore a sequined top and trousers.
Strike turned to the shifting statements that Tansy had given to the police; the first simply claiming a trip to the bathroom from the bedroom; the second adding the opening of her sitting-room window. Freddie, she said, had been in bed throughout. The police had found half a line of cocaine on the flat marble rim of the bath, and a small plastic bag of the drug hidden inside a box of Tampax in the cabinet above the sink.
Freddie’s statement confirmed that he had been asleep when Landry fell, and that he had been woken by his wife’s screams; he said that he had hurried into the sitting room in time to see Tansy run past him in her underwear. The vase of roses he had sent to Macc, and which a clumsy policeman had smashed, were intended, he admitted, as a gesture of welcome and introduction; yes, he would have been glad to strike up an acquaintance with the rapper, and yes, it had crossed his mind that Macc might be perfect in a thriller now in development. His shock at Landry’s death had undoubtedly made him overreact to the ruin of his floral gift. He had initially believed his wife when she said she had overheard the argument upstairs; he had subsequently come, reluctantly, to accept the police view that Tansy’s account was indicative of cocaine consumption. Her drug habit had placed great strain on the marriage, and he had admitted to the police that he was aware that his wife habitually used the stimulant, though he had not known that she had a supply in the flat that night.
Bestigui further stated that he and Landry had never visited each other’s flats, and that their simultaneous stay at Dickie Carbury’s (which the police appeared to have heard about on a subsequent occasion, for Freddie had been reinterviewed after the initial statement) had barely advanced their acquaintance. “She associated mainly with the younger guests, while I spent most of the weekend with Dickie, who is a contemporary of mine.” Bestigui’s statement presented the unassailable front of a rock face without crampons.
After reading the police account of events inside the Bestiguis’ flat, Strike added several sentences to his own notes. He was interested in the half a line of cocaine on the side of the bath, and even more interested in the few seconds after Tansy had seen the flailing figure of Lula Landry fall past the window. Much would depend, of course, on the layout of the Bestiguis’ apartment (there was no map or diagram of it in the folder), but Strike was bothered by one consistent aspect of Tansy’s shifting stories: she insisted throughout that her husband had been in bed, asleep, when Landry fell. He remembered the way she had shielded her face, by pretending to push back her hair, as he pressed her on the point. All in all, and notwithstanding the police view, Strike considered the precise location of both Bestiguis at the moment Lula Landry fell off her balcony to be far from proven.