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What we both liked best were the Saturday evenings when we were together, because it had become the custom for Netty to devote that time to her pestilent brother Maitland and his deserving young family. Carol played the piano, and I looked through books about art which I was able to borrow from the school library. I was determined about this because I didn't want her to think that I had no independent artistic interest of my own, but as I looked at pictures and read about them, I was really listening to her. It was the only time the drawing-room showed any hint of life, but the big empty fireplace – the secretary from Alpha and Netty agreed that it was foolish to light it during wartime, when presumably even cord-wood was involved in our total war effort – was a reminder that the room was merely enduring us, and that as soon as we went to bed a weight of inanition would settle on it again.

I remember one night when Ramsay did drop in, and laughed to see us.

"Music and painting," said he; "the traditional diversions of the third generation of wealthy families. Let us hope you will both become discriminating patrons. God knows they are rare."

We didn't like this, and Carol was particularly offended by his assumption that she would never do anything directly as a musician. But time has proved him right, as it does with so many disagreeable people. Carol and Beesty are now generous patrons of music, and I collect pictures. With both of us, as Father Knopwood feared, it has become the only spiritual life we have, and not a very satisfactory one when life is hard.

Knopwood prepared me for Confirmation, and it was a much more important experience than I believe is usually the case. Most curates, you know, take you through the Catechism and bid you to ask them about anything you don't understand. Of course most people don't understand any of it, but they are content to let sleeping dogs lie. Most curates give you a vaguely worded talk about keeping yourself pure, without any real hope that you will.

Knopwood was very different. He expounded the Creed in tough terms, very much in the C. S. Lewis manner. Christianity was serious and demanding, but worth any amount of trouble. God is here, and Christ is now. That was his line. And when it came to the talk about purity, he got down to brass tacks better than anybody I have ever known.

He didn't expect you to chalk up a hundred per cent score, but he expected you to try, and if you sinned, he expected you to know what you had done and why it was sin. If you knew that, you were better armed next time. This appealed to me. I liked dogma, for the same reason that I grew to like law. It made sense, it told you where you stood, and it had been tested by long precedent.

He was very good about sex. It was pleasure: yes. It could be a duty: yes. But it wasn't divorced from the rest of life, and what you did sexually was of a piece with what you did in your friendships and in your duty to other people in your public life. An adulterer and a burglar were bad men for similar reasons. A seducer and a sneak-thief were the same kind of man. Sex was not a toy. The great sin – quite possibly the Sin against the Holy Ghost – was to use yourself or someone else contemptuously, as an object of convenience. I saw the logic of that and agreed.

There were problems. Not everybody fitted all rules. If you found yourself in that situation you had to do the best you could, but you had to bear in mind that the Sin against the Holy Ghost would not be forgiven you, and the retribution would be in this world.

The brighter members of Knoppy's Confirmation classes knew what he was talking about at this point. It was clear enough that he was himself a homosexual and knew it, and that his work with boys was his way of coping with it. But he never played favourites, he was a dear and thoroughly masculine friend, and there was never any monkey-business when he asked you to his rooms. I suppose there are hundreds like me who remember him with lasting affection and count having known him as a great experience. He stood by me during my early love-affair in a way I can never forget and which nothing I could do would possibly repay.

I wish we could have remained friends.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука