Русский балет Дягилева

123. ___ Serge Diaghilev: His Life, His Work, His Legend. An Intimate Biography. 1940; rpt. New York: Da Capo, 1976.

124. Lockspeiser, Edward. Debussy: His Life and Mind. 2 vols. Cambridge: Cambridge University Press, 1978.

125. Macdonald, Nesta. Diaghilev Observed by Critics in England and the United States 1911–1929. New York: Dance Horizons, 1975.

126. Maré, Rolf de. Les Ballets Suédois dans l’art contemporain. Paris: Editions du Trianon, 1931.

127. Markevitch, Igor. Etre et avoir été: Mémoires. Paris: Gallimard, 1980.

128. Markova, Alicia. Markova Remembers. Boston: Little, Brown, 1986.

129. Massine, Leonide. My Life in Ballet. Ed. Phyllis Hartnoll and Robert Rubens. London: Macmillan, 1968.

130. Materials for the History of Russian Ballet. Ed. M. Borisoglebsky. Vol. 2. Leningrad, 1939.

131. Matz, Mary Jane. The Many Lives of Otto Kahn. New York: Macmillan, 1963.

132. Maxwell, Elsa. R.S.V.P.: Elsa Maxwell’s Own Story. Boston: Little, Brown, 1954.

133. Mayer, Charles S. Bakst: Centenary 1876–1976. London: Fine Art Society, 1976.

134. Melba, Nellie. Melodies and Memoires. London: Butterworth, 1925.

135. Mérode, Cléo de. Le Ballet de ma vie. Preface Françoise Ducout. Paris: Pierre Horay, 1985.

136. Oliver Messel. Ed. Roger Pinkham. London: Victoria and Albert Museum, 1983.

137. Meyerhold on Theatre. Trans, and ed. Edward Braun. New York: Hill and Wang, 1969.

138. Migel, Parmenia. Pablo Picasso: Designs for “The Three-Cornered Hat” (Le Tricorne). New York: Dover/ Stravinsky-Diaghilev Foundation, 1978.

139. Milhaud, Darius. Notes Without Music: An Autobiography. New York: Knopf, 1953.

140. Mirsky, D.S. A History of Russian Literature. Ed. Francis J. Whitfield. New York: Knopf, 1949.

141. Money, Keith. Anna Pavlova: Her Life and Art. New York: Knopf, 1982.

142. Montenegro, Robert. Vaslav Nijinsky: An Artistic Interpretation of His Work in Black, White and Gold. Introd. C. W. Beaumont. London: C. W. Beaumont, 1913.

143. Monteux, Doris G. It’s All in the Music. New York: Farrar, Straus and Giroux, 1965.

144. Morrell, Lady Ottoline. Memoirs of Lady Ottoline Morrell: A Study in Friendship, 1873–1915. Ed. Hubert Gathorne-Hardy. New York: Knopf, 1964.

145. Nabokov, Nicolas. Old Friends and New Music. London: Hamish Hamilton, 1951.

146. Nichols, Beverley. Are They the Same at Home? Being a Series of Bouquets Diffidently Distributed. London: Jonathan Cape, 1927.

147. Nijinska, Bronislava. Early Memoirs. Trans, and ed. Irina Nijinska and Jean Rawlinson. Introd. Anna Kisselgoff. New York: Holt, Rinehart and Winston, 1981.

148. Nijinsky, Romola. Nijinsky. Foreword Paul Claudel. New York: Simon and Schuster, 1934.

149. Nijinsky, Vaslav. The Diary of Vaslav Nijinsky. Ed. Romola Nijinsky. Berkeley: University of California Press, 1968.

150. Nikitina, Alice. Nikitina By Herself. Trans. Baroness Budberg. London: Alan Wingate, 1959.

151. Ostrovsky, Erika. Eyes of Dawn: The Rise and Fall of Mata Hari. New York: Macmillan, 1978.

152. Oukrainsky, Serge. My Two Years With the Dancing Genius of the Age: Anna Pavlowa. Hollywood: Suttonhouse, [1940].

153. Painter, George D. Marcel Proust: A Biography. 2 vols. Harmondsmith, Middlesex: Penguin, 1977.

154. Parnakh, Valentin. Gontcharova et Larionow: l’art décoratif théâtral moderne. Paris: La Cible, 1919.

155. Poiret, Paul. My First Fifty Years. London: Gollancz, 1931.

156. Ezra Pound and Music: The Complete Criticism. Ed. R. Murray Schafer. New York: New Directions, 1977.

157. Proujan, Irina. Léon Bakst: Esquisses de décor et de costumes, arts graphiques, peintures. Trans. Denis Dabbadie. Leningrad: Editions d’Art Aurora, 1986.