Русский балет Дягилева

22. Nijinska, Bronislava. “Creation of ‘Les Noces’”. Trans, and introd. Jean M. Serafetinides and Irina Nijinska. Dance Magazine, December 1974, pp. 58–61.

23. ___ “On Movement and the School of Movement”. Introd. Joan Ross Acocella and Lynn Garafola. Ballet Review, 13, No. 4 (Winter 1986), pp. 75–81.

24. ___ “Reflections About the Production of Les Biches and Hamlet in Markova-Dolin Ballets”. Trans. Lydia Lopokova. Dancing Times, Feb. 1937, pp. 617–620.

25. Orledge, Robert. “Cole Porter’s Ballet Within the Quota’”. Yale University Library Gazette, 50, No. 1 (July 1975), pp. 19–29.

26. Polignac, Princesse Edmond de. “Memoirs of the Late Princess Edmond de Polignac”. Horizon, August 1945, pp. 110–141.

27. Ricco, Edward. “The Sitwells at the Ballet”. Ballet Review, 6, No. 1 (1977–1978), pp. 58–117.

28. Richardson, Philip J. S. “A Chronology of the Ballet in England 1910–1945”. In The Ballet Annual: A Record and Yearbook of the Ballet. London: Adam and Charles Black, 1947, pp. 115–131.

29. Ries, Frank W. D. “Acrobats, Burlesque, and Cocteau”. Dance Scope, 11, No. 1 (Fall/Winter 1976–1977), pp. 52–67.

30. Riviere, Jacques. “Des Ballets russes et de Fokine”. Nouvelle Revue Française, July 1912, pp. 174–180.

31. ___ “La Crise du concept de littérature”. Nouvelle Revue Française, 1 February 1924, pp. 159–170.

32. ___ “Le Sacre du Printemps”. Nouvelle Revue Française, November 1913, pp. 706–730.

33. Silver, Kenneth E. “Jean Cocteau and the Image d’Epinal: An Essay on Realism and Naiveté”. In Jean Cocteau and the French Scene. Ed. Alexandra Anderson and Carol Saltus. New York: Abbeville Press, 1984.

34. Slonimsky, Yuri. “Balanchine: The Early Years”. Trans. John Andrews. Ed. Francis Mason. Ballet Review, 5, No. 3 (1975–1976), pp. 1–64. “Marius Petipa”. Trans. Anatole Chujoy. Dance Index, 6, Nos. 5–6 (May—June 1947), pp. 100–144.

35. Souritz, Elizabeth. “Fedor Lopukhov: A Soviet Choreographer in the 1920s”. Dance Research Journal, 17, No. 2 (Fall 1985/Spring 1986), pp. 3–20. “Soviet Ballet of the 1920s and the Influence of Constructivism”. Soviet Union/Union Sovietique, Parts 1–2 (1980), pp. 112–137.

36. Svetlov Valerian. “The Diaghileff Ballet in Paris”. Dancing Times, December 1929, pp. 263–274.

37. ___ “The Diaghileff Ballet in Paris”. Part II. Dancing Times, January 1930, pp. 460–463.

38. ___ “The Diaghileff Ballet in Paris”. Part III. Dancing Times, February 1930, pp. 569–574.

39. ___ “The Old and the New”. Dancing Times, July 1929, pp. 326–331.

40. Taruskin, Richard. “From Firebird to The Rite: Folk Elements in Stravinsky’s Scores”. Ballet Review, 10, No. 2 (Summer 1982), pp. 72–87.

41. Tripp, Susan B. “Bakst”. Johns Hopkins Magazine, June 1984, pp. 12–22.

42. Wiley, Roland John. “Alexandre Benois’ Commentaries”. Parts I–VII. Dancing Times, October 1980 – April 1981.

Неопубликованные труды и диссертации

1. Acocella, Joan Ross. “The Reception of Diaghilev’s Ballets Russes by Artists and Intellectuals in Paris and London, 1909–1914”. Diss. Rutgers 1984.

2. Baldwin, Frances. “Critical Response in England to the Work of Designers for Diaghilev’s Russian Ballet, 1911–1929”. M. S. Thesis, Courtauld Institute of Art (London) 1980.

3. Berg, Shelley Celia. “‘Le Sacre du Printemps’: A Comparative Study of Seven Versions of the Ballet”. Diss. New York University 1985.

4. Bullard, Truman C. “The First Performance of Igor Stravinsky’s Sacre du Printemps”. Diss. Eastman School of Music (Rochester) 1971.

5. DeBold II, Conrad. “Parade and ‘Le Spectacle Intérieur’: The Role of Jean Cocteau in an Avant-garde Ballet”. Diss. Emory 1982.

6. Grover, Stuart R. “Savva Mamontov and the Mamontov Circle: 1870–1905; Art Patronage and the Rise of Nationalism in Russian Art”. Diss. Wisconsin 1971.

7. Hodson, Millicent Kaye. “Nijinsky’s New Dance: Rediscovery of Ritual Design in Le Sacre du Printemps”. Diss. California (Berkeley) 1985.

8. Horwitz, Dawn Lille. “Michel Fokine in America, 1919–1942”. Diss. New York University 1982.

9. Kennedy, Janet Elspeth. “The ‘Mir Iskusstva’ Group and Russian Art 1898–1912”. Diss. Columbia 1976.

10. McQuillan, Melissa A. “Painters and the Ballet, 1917–1926: An Aspect of the Relationship Between Art and Theatre”. Diss. New York University 1979.

11. Mayer, Charles Steven. “The Theatrical Designs of Leon Bakst”. Diss. Columbia 1977.

12. Pasler, Jann Corinne. “Debussy, Stravinsky, and the Ballets Russes: The Emergence of a New Musical Logic”. Diss. Chicago 1981.

13. Ries, Frank W. D. “Jean Cocteau and the Ballet”. Diss. Indiana 1980.